Showing posts with label Craft. Show all posts
Showing posts with label Craft. Show all posts

Sunday, March 23, 2014

For The Love (and Hate) of Words...

Like all authors, words are kind of my life. Big ones, little ones, tongue twisters and giggle inducers. But, like everything else in life, there are good and there are bad. Not all words are created equal. At least, not in my world. There are the ones I love and there are ones I hate. I thought I'd share a few of each.

Love

1.      Cheesecake. I can’t eat cheesecake. Eggs are toxic to me, and since cheesecake is stuffed full of em, that pretty much lands it on a list of epic ways to kill myself. But I love the word. It might be the fact that the first part starts with cheese (because, who here does NOT like cheese!?!), or it might just be the random weirdness that is me. Even money that its a little of both.

2.      Turtle. Nope. Not my favorite animal—they don’t even make it into the top twenty (Sorry, turtles. Much love, just not THAT much love...). But it’s such a fun word. I know you agree. Just say it with me a few times. Turtle-turtle-turtle-turtle. Admit it. You said it, too. (I won't tell)

3.      Awesome. This word is so amazing, that even when you hate it, you find yourself saying it. Over and over and over and over... *cringes*

4.      Psychosomatic. I love the sound of it, the meaning—everything. This is a word that needs more love. Find an excuse. I challenge you to work it into a sentence today.

5.      Cadaver. I’ll admit that this one’s on the creepy side. But definition aside, it kinda rolls off the tongue. Am I right? Say it. Ca-da-ver.

Hate

1.      Auntie. I don’t know why, but every time I hear it, I want to rip my ears off.

2.      Panties. Why? Again, I don’t know. It irritates me to the point that I want to punch a sheep. Okay, not really. I love sheep. They're adorable. They waddle around, all fluffy and stuff. Seriously though, there’s a good possibility I have a deep seeded prejudice against words that end in IE…

3.      Awesome. Yes. It was also on the love list. But there’s something about it… I die a little each time it comes out of my mouth - which is sadly often.

4.      Yawn. Everyone hates this word. It’s okay to come clean. I mean, come on…what other word in the English language makes you *yawn* do something by simply speaking or writing it? Evil. Pure evil.

5.      Pimpin. I have a friend that used to say this. It was like styrofoam getting rubbed in my ear. You exactly know what I’m talking about. That grating, spine chilling sound that makes your hair stand on end and your muscles twitch.


You’re up. Tell me your favorite (and not so favorite) word!

Sunday, June 16, 2013

Word Choice



I was told once to think about what I had to say before said it. Phrasing this differently means to choose your words wisely. As a writer, I take this very seriously as I’m pounding away on my works in progress and when I’m revising. If I do this correctly, I can tell my readers so much more about my characters than what I actually put on the page.

Your word choice can set a mood, it can tip your hand without saying something bluntly, and it can help your characterization.

For instance, in my newest novel, DARE YOU TO, Ryan is a high school baseball player considering the Pros after graduation. In the first chapter of the book, Ryan is dared to get Beth’s phone number. When he finds out that she has no plans in being involved in this scheme, Ryan steps up his game (notice the last word I just used there).

Ring the bell. Playtime ended with those words. Purposely invading her space, I steal a step toward her and place a hand on the counter next to her body.

To describe Ryan, I used the word playtime and the verb steal.  Ryan is a baseball player who doesn’t like to lose. In keeping true to Ryan’s character, he’s going to speak internally and externally in words that he’s surrounded by. Stealing base is something he thinks about often.

Also, pay attention to the phrase: ring the bell.

Several images can be created by this: the bell ringing to signal the start of a boxing match (which is what I was imaging since Beth and Ryan always seem to go several rounds with each other).

Or as my husband would sometimes trash talk while playing basketball: ring the bell because I’m taking you to school.

Either image is one that works for me. It shows how Ryan is determined and loves to win.

So when writing or revising, think about who your character is, what makes them tick, think about what types of words they would use, then you can use that to your advantage!

Monday, July 25, 2011

My Muse Is Of The Musical Mentality…

If there was a soundtrack to go with my life, it’d be pretty damn diverse. Everything from Elvis – I can’t help falling in love with you (my grandfather’s favorite song) to Marilyn Manson – Personal Jesus. Other than books—and food—music is my thing. Oh. And animals. And the outdoors…

Okay. I have a lot of things.

Seriously though, music is a huge part of my existence. I can think back to most of the crucial events in my life and tie them to a song. Sometimes it’s a tune from that particular time period. Other times it’s something newer. Something that reminds me of the event. It could be anything from a single line or chorus, to the singer’s voice. Disturbed – Inside The Fire reminds me of a very dear friend. Not only does the laugh in the beginning of the song sound just like his, but he took his own life two years ago.

When I think about my husband, it’s Vain – Without You. He played it for me one of the first few times we hung out. When I hear Loudon Wainwright – Dead Skunk—and yes I have this on my Zune—I think of the trip Hershey Park my family took when I was twelve. There was a skunk, a Nun, and some candy bars. Don’t ask.

When I hear Muse – Supermassive Black Hole, I think of vampires. Playing baseball.

Come on. You know you do, too. No one’s judging. Promise.

This applies to my writing as well. Scenes play out in my head like a movie. And everyone knows all good movies need a killer soundtrack. A playlist for perfection. For my latest fight scenes, it’s been Marilyn Manson – Ka-Boom and Limp Bizkit – Break Stuff. Buckcherry – Bliss is all about my hero and heroine. And Ke$ha – Blow helped me write an awesome chase scene revolving around a rave. (PS if you haven’t seen the video—watch it. Funny as hell)

If a scene isn’t working for me, it’s usually because I haven’t found the right music to go with it. Eight times out of ten, if I don’t find a suitable tune, I scrap the scene. Sounds drastic, eh? But it’s seriously how my brain works. I did NaNo a few years ago and it wasn’t until recently that I figured out why the manuscript never worked. Every word was forced, and when I went to revise, I found myself wanting to guzzle the stuff under the sink rather than work on it. I was never able to come up with a decent playlist. I never felt the characters.

Which digs deeper. To create a playlist for a WIP, at least for me, I need to get into my characters heads. I need to know them. If I don’t know them, and I can’t feel them, then I sure as hell can’t pick out music for them. If I can’t pick out music for them, then I can’t write them.

What about you guys? Do you write like this? Live like this?

Share so I don’t feel like such an incredible goober :)

Friday, June 24, 2011

Taking a Leap

I have two announcements today. 1. The winner of Tracy Bilen's book giveaway is... Jeanette! Tracy will be sending you a copy of 13 Little Blue Envelopes. Thanks to everyone who commented.

And 2. HAPPY BIRTHDAY TO ME!

Yes, today is my birthday, and I'd like to reminisce about one of my "big" b-days. My friends and family wanted to celebrate my 40th birthday with a big bash, but I had a different treat in mind.
For years, I had studied writing course guides from MFA programs to the Iowa Writers Workshop to Chautauqua. Then I learned about the Highlights Foundation Whole Novel Workshop.

I would need to apply and submit samples of my work; they only accepted 8 students. I would need to leave my family for an entire week. And I would need to cough up a good chunk of change in a turbulent economy. It was time to take my writing craft to the next level. Happy birthday to me!

I received an email from Carolyn Coman (Carolyn Coman! The trifecta honoree of children's book awards- Newbery Honor, Printz Honor, and National Book Award finalist!). She informed me that I had been selected for the workshop, but she wanted to make sure I was prepared to take a leap of faith. She asked me to consider a complete "re-visioning" of my novel. Was this really what I wanted? Yes, it was time to take the leap.

Carolyn read my entire manuscript and sent me a four page, single -spaced critique letter a week before the workshop. I mulled over her comments, flew to Pennsylvania, and met my fellow students. Our marked-up manuscripts were returned to us after dinner, and we retired to our private cabins to pour through our stories.

Everyone used their time in different ways. Some were ready to hit their keyboards and dive into revisions. Others attempted storyboarding to work on their plots. I had plenty to think about, the re-visioning that Carolyn had recommended. I spent a few mornings exploring wooded hiking trails along a roaring river.

Every afternoon, we met for a group workshop - critiquing each others' manuscripts, followed by a discussion on various writing topics led by Carolyn, Donna Jo Napoli (Check out her many wonderful books!) or Monika Schroder. At that time, Monika was a librarian and MFA student who had previously attended the workshop. Just recently, her second published novel won a Crystal Kite Award from SCBWI.

Carolyn likes to storyboard during the revision process to help her look at sequencing and emphasis. She identifies what happens in each chapter (briefly, in one sentence) and names the dominant emotion. Then, she thinks backward from this emotional blueprint to fill in plot. What is the character's motivation, and what do you need to emphasize in each and every chapter?

Going beyond the usual "write what you know" advice, Donna Jo introduced the topic of autobiography and its place in your book. She recited a quote by Katherine Patterson, "Write what only you can write," and asked the group what this meant to us. Essentially, everyone has their own unique worldview that's shaped by our personal experiences over time, and this is what you bring to your writing. This was our most emotional discussion of the week, cutting to the core of each of us.

Did I mention these topic discussions were followed by appetizers and wine? Then we gathered around a large table on a screened-in porch for a family-style dinner, dessert, and conversation. The gourmet chef, Marcia, used locally grown, in-season produce to create delicious, healthy meals all week. She was happy to discuss her recipes, so not only did we learn from the writing pros, we received informal cooking lessons too.

Overall, it was a challenging and inspiring week in a beautiful setting with a talented group of writers. I couldn't have asked for a better birthday present.

Last week, I learned that my completely "re-visioned" novel won first place in the Fire and Ice contest through Chicago-North RWA. I'm finalizing revisions on another manuscript, and a new story is in progress. As I write, and rewrite, I hear Carolyn's voice. Who are you talking to?, she asks when my first-person narration turns self-conscious. Which line in this paragraph best illustrates what you want to emphasize? The heart, the motivation... Cut the rest.

Have you attended a writing workshop that required a leap of faith? That helped advance your writing to the next level? Please share!

Sunday, May 22, 2011

Organic—it’s not just for veggies anymore

A couple years ago, I was accepted to the C.I.A. Not the Central Intelligence Agency (how cool would that be!?), but the nom-nom one. The Culinary Institute of America. I grew up in a family of master chefs and food has always been one of my passions—but so has fiction. Even as I filled out the application, I was torn. Then, when I met with the counselor and she told me the main reason I was accepted was the essay I wrote, well, I saw that as a sign. I passed on the spot and threw myself into writing.

Obviously, I still love to cook. Just because I’ve chosen the author path, doesn’t mean I’ve forsaken my roots. Special occasions, holidays—apple season is like Applepiepocalypse around here. I have nightmares about being chased through the streets by an enormous peeler flanked by jars of cinnamon wearing gang colors.

This says a lot about how my mind works…

But anyway, every once in awhile, someone will ask me for a recipe. This is a problem. Why? Because I don’t follow recipes. And when I try to write ingredients down as I’m cooking, it leads to disaster.

I’ve come to realize my writing works the same way. Everyone has their own process. Something unique that works for them. Mine is, well, messy. Organic. Some of my more organized writer friends look at me like I’ve got two heads, a tail and am wearing a pair of flashing neon chaps. But for me, it works.

Matter of fact, it’s the only thing that works.

I’ve tried to do it the other way. Outlines and character bio sheets. Research and plotting. All that planning ahead trips me up. I think it’s because I’m putting too much thought into it. Instead of just going with my muse and letting the story and characters (or recipe) take shape, I’m obsessing over the details. Did I get the voice right? Is that really enough sugar?

I think of the first draft as the ingredient gathering stage. Start with a concept (dish) and build from there. For me, it’s usually the hook that pops first. Sprinkle in some world building and a kick ass character or two, and you’re ready to rock.

Once you’ve got everything together, you move on to the revisions (cooking). Revisions are kind of like making Risotto. If you over toast the rice (story) the outcome is going to be less flavorable. Going through and adding layer by layer to your story is like adding the broth to the rice as it cooks. Slowly absorbing flavor.

Then, when you think it might be time to yank that puppy from the burner, you need to do a taste test. This is where betas and CPs come in. You send your work out, they sample it and tell you what it needs and if they think you’ve overcooked anything. Luckily, with writing it’s much easier to fix an over written scene than a burned batch of biscotti and an oven fire.

Yeah… Um, that’s a totally different post.

So come out and share your process. Do you follow an outline? Maybe you just jot down a few notes and see where they go. Or are you like me? Throw things into the pot and let the chips—chocolate preferably—fall where they may.