Play Lists

 Play Lists . . . Or Not

 

 Am I the last person jumping on the Play List bandwagon, or have you been holding out, too?

I first heard of play lists with the release of “Twilight.” Who hasn’t heard how Stephanie Meyers found inspiration in Muse’s music? I didn’t see it as something I might want or need.  Ms. Meyers is just one person, and we all have our unique writing processes. Right?

But suddenly, everyone has play lists. Play lists have their own spot on author webpages. And there are almost as many questions asked about your play list as about your actual manuscript. I had to pull my head out of the sand and start researching this previously ignored aspect of writing.

My first AH HA moment came from reading articles about creativity. Seems creative people generally release their energies in more than one mode. Meaning writers paint, or design, or sing . . . or play music.

Next came a reminder of something we’ve all known at least on a subconscious level for years: music evokes emotions. When I write, creating and eliciting emotions is my number one goal. Hmm. I was starting to see a light.

And then there are life experiences. If I stop to think about it, there’s a play list for my life. Certain songs are forever connected to specific times or events in my life. Isn’t that true for you, too?

So why, I had to ask myself, wouldn’t it be true for the lives of my characters?

DUH!

Next problem: how do I develop a play list? 

I started by keeping paper and pen in the car (where I’m most exposed to the radio) and writing down any song that might fit with my current manuscript. That turned out to be a short list. Like zero. So I widened my concept to writing down any song I liked. And BINGO!  I found the one song that defines my current work: "I Won't Give Up on Us," by Jason Mraz. (Okay, it may seem sappy, but when you’ve waited four hundred years to be reunited with your one and only, it works very well.)

I also found two songs with stories I have to write. Who knew???

But what, you might ask, are the benefits of having a play list? Besides inspiring emotion? For me, the biggest benefit is a seamless continuity of rhythm or cadence. Have you ever read a book where the prose was so buttery smooth that reading felt more like floating? I want that smoothness in my writing. Hitting the play list before writing puts me consistently in the mindset of my work so that the ups and downs of my ‘other life’ don’t slip onto the pages.

Are you considering a play list? Do you already have one? How did you find it? How do you use it?

 .........Lisa Tapp

EMBRACE YOUR TASTE

I’m the type of person who tries to avoid reading directions as hard as most people try to avoid mosquitos on a Kentucky July night. I like to dive into a project without considering if I have any skill whatsoever or even knowing if I have all the necessary tools (which I rarely do). But when I get excited about a project, I’m unstoppable. I’m a maniac with tunnel vision who can only tear myself away from it for necessities like… feeding my children or animals.

Maybe it’s due to the fact that I’m a part-time insomniac, or the extreme case of ADD that I surely have, or maybe it’s just that I’m a learn-by-doing-kinda-girl. Years ago when I learned to make jewelry, a rather tedious craft that takes a bit of skill to bend and twist thin wire into miniscule earring loops, I read zero instructions. Perhaps if had, I would’ve known that a pair of round nose pliers were essential to making perfect circles instead of the triangular-ish blobs that I was producing. No doubt, a little research would’ve saved me time, money, and frustration, but reading a complicated how-to instruction manual would’ve probably crushed my burning desire to make jewelry altogether.

The same is true with my writing. When I started writing my first YA novel, I jumped in before really studying the craft of novel-writing. Sure I had some experience writing children’s books, but it was quite different than keeping track of an entire novel.

My process was messy: a little handwriting, a lot of typing, an enormous amount of skipping around. I am the queen of cutting and pasting and I possibly hit the delete button more often than I write the word was. But eventually, after extensive hair pulling, cursing, and many, many potato chips later, I did manage to peace the puzzle into a readable novel. Even though I’m certain I took the long way around, my unorganized, chaotic process worked for me.

At least, it did until I started book two—when I tried to do things the conventional way—directions first. Seeing that organization and plotting were working wonderfully for my critique partner, I decided to give it a whirl. After arming myself with some crisp new writing books, I began the study of how one should actually go about writing a novel. It wasn’t long before I was completely overwhelmed by all the rules and information. I plowed through them anyway (mostly) and learned a ton--if only I could retain and apply it all.

And I tried--I really did, to plot it all out like a real writer before I started writing the actual book. But my characters seemed more like stick figures floating in space rather than multi-faceted characters in a story. The whole point was to save me time and headaches down the plot-hole road, right? So I forged ahead, convincing myself that I would indeed shape these eighty plus pages of storyline into something magical.

Here’s the crappy part; when I started writing the actual book, I was completely derailed on page freaking one by a character who was nowhere to be found within my mountain of plotted scribble. Dammit!

Now what? I had spent all that time and had really grown to like my story ideas. So naturally, the next step for me was brainwashing—myself. I desperately wanted to believe that the new random guy who showed up on page one was just that—some random guy. Only thing is, my instincts told me otherwise. When I called an emergency meeting with my crit partner to discuss my dilemma, she totally called me out on it. “No,” I insisted, “he’s not the guy”.

Her reply confirmed my worst fears; he was THE guy and not only that, I was writing two separate books. As much as I wanted it not to be true, I knew she was right and so were my instincts. After my initial oh-crap-what-now-moment, I eventually went back to my original process and let my characters lead me where they wanted to go instead of the other way around.

So my advice to those trying to maneuver this writing maze; by all means, study the rules and directions, but know that you don’t have to read them first. Stop fighting your process and do what works for you! In simpler terms: Stop trying to make yourself develop a taste for Uno’s deep dish if you secretly prefer Totino’s Party Pizzas!!

Embrace your taste!!